Ringuil Possibly 1914 - 1918

Editor: So this striking woodcut, possibly from between 1914 and 1918, is titled "Ringuil" by Samuel Jessurun de Mesquita, found in the Rijksmuseum collection. I’m immediately drawn to how this very stylized owl seems both imposing and vulnerable within its brick frame. What historical lens can you shed on this piece? Curator: Indeed, this is a fascinating piece to consider from a historical point of view. The work’s creation likely took place during or shortly after World War I, and it's difficult to separate any artwork from its socio-political climate. What effect do you think the owl having such geometric features, while still set in such natural media, had on audiences viewing this image? Editor: That’s interesting. It does feel… slightly unsettling. Maybe like nature constrained by man? What purpose does this tension create? Curator: That tension, as you describe, is precisely the point. Remember, symbolism thrived during this period. The owl is often associated with wisdom, but also with darkness, vigilance and even death. Contextualize this image with the horrors unfolding in Europe at that moment. The owl may very well function as a commentary on a world losing its wisdom. Consider further the impact this might have had on audiences of the time as woodcut prints are incredibly common and able to disseminate into various socio-political settings. Editor: I see. The choice of the owl and the rigid framing becomes much more significant. It's no longer just a stylized animal, but a reflection on the turbulent times. I will remember that. Curator: Absolutely. Analyzing the relationship between artwork and the historical, cultural environment offers a deeper appreciation of its meaning and resonance. It really shows just how political art can truly be.