Tuinportaal met hekwerk, cartouche en vaas by Joh. Daniel de Montalegre

Tuinportaal met hekwerk, cartouche en vaas 1699 - 1726

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drawing, metal, engraving, architecture

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drawing

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baroque

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pen drawing

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metal

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geometric

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line

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engraving

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architecture

Dimensions height 285 mm, width 183 mm

Editor: So, this is "Tuinportaal met hekwerk, cartouche en vaas," a pen drawing by Joh. Daniel de Montalegre, dating from around 1699 to 1726. It's a very precise, almost technical-looking drawing of an ornate gate. What do you make of its social context? Curator: Immediately, the emphasis on architectural detail speaks to a very specific patron, someone concerned with displaying wealth and status. The Baroque style, with its flourish and ornamentation, wasn’t just aesthetic, it was a language of power. Editor: So, who would commission something like this? Was it just about showing off? Curator: It certainly served that purpose. But think about the rise of the merchant class in the Dutch Republic at the time. These weren't aristocrats inheriting their wealth and titles. They needed ways to legitimise their newfound power, and art, particularly architecture and design, became a key tool. The "tuinportaal" wasn't merely a gate, it was a symbol of controlled access and exclusivity. Look at how the precise drawing implies perfect design. How do you feel that plays into its social role? Editor: It definitely communicates a sense of order, even control. Almost like saying "we've mastered our environment." I hadn’t really thought about that connection to social status before. Curator: Exactly. And that "mastery" extends to controlling who gets to enter one's domain, literally and figuratively. It’s an image deeply intertwined with the power structures of its time. Think of the function that gates in garden design might possess. The role the location could provide its user, too. The architecture might be less "private space", and more, semi-public location. A venue for doing busines, so to speak. Editor: That's a really interesting point! So this drawing isn’t just a record of design, it's also a snapshot of social ambitions and the means to achieve and sustain their position. It is so much more interesting with that perspective. Curator: Precisely. The act of producing, commissioning and studying art. It has implications, you know! The art provides insight into that moment of our world’s timeline, too.

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