Rokende boeren rond een tafel by Gerrit Lucasz van Schagen

Rokende boeren rond een tafel 1656 - 1690

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engraving

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dutch-golden-age

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figuration

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genre-painting

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engraving

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realism

Dimensions: height 169 mm, width 247 mm

Copyright: Rijks Museum: Open Domain

Curator: This engraving by Gerrit Lucasz van Schagen, titled "Smoking Farmers Around a Table," was made sometime between 1656 and 1690, and it currently resides in the Rijksmuseum collection. Editor: Immediately, the texture arrests me; that very intricate detail produced with line work creates an almost stifling mood, smoky and enclosed. Curator: Yes, there's a strong sense of interiority, wouldn't you agree? Consider what smoking signified in Dutch culture: social relaxation but also deeper associations with overseas trade, indulgence and even exoticism, tobacco having arrived from the Americas. Editor: Right, there's a clear engagement with the everyday life of these figures, which strikes me as almost... anthropological, to bring the semiotic language to bear: a careful cataloging of quotidian postures, apparel, tools of pleasure. Curator: And that close looking at these Dutch farmers allows us to glimpse into social hierarchies and their cultural memory—where the pleasure and social connection of smoking are captured in intimate ways. Even the heavy clothing they are wearing indicates how chilly it must be. What seems like simple leisure tells stories about global trade. Editor: There’s a density in the image. The tight grouping of the figures enhances that closed-in feeling; do you see how the bodies, pipe smoke and hatching marks coalesce in such an arresting composition? The tonal gradations create depth, and it's particularly impressive considering the limitation of engraving. Curator: Absolutely. And by choosing such a homely, commonplace scene, Van Schagen echoes similar depictions from that era where themes of Dutch sociability were valued, providing a snapshot of life and revealing lasting insights on community identity that persists today. Editor: Seeing how he manages to render texture through line speaks volumes. After our short exchange, what once felt simply descriptive now presents itself to me almost as a coded dispatch; not solely documentary but interpretative as well.

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