The Breton archaeologist Louis Jacques Marie Bizeul, after a photograph 1861

Charles Meryon created this print of The Breton archaeologist Louis Jacques Marie Bizeul after a photograph, using etching, drypoint, and engraving. The portrait is characterized by fine, detailed lines that define the subject's features and clothing. Notice how the lines create tonal variation, especially in Bizeul's face and jacket. Light and shadow play across his features, giving a sense of volume and presence. The texture is palpable, from the roughness of his hair to the smooth fabric of his coat. Meryon's choice of printmaking techniques—etching, drypoint, and engraving—allows for a layering of lines that enriches the visual experience. Each technique offers different qualities: etching for precise lines, drypoint for soft, velvety textures, and engraving for sharp details. This combination results in a compelling study of character and form. Consider the cultural context. Photography was still a relatively new medium, and Meryon’s interpretation adds an artistic layer to a mechanical reproduction. Ultimately, this print invites us to reflect on how artistic techniques transform reality into a form of personal expression.