print, engraving
portrait
baroque
old engraving style
figuration
history-painting
engraving
Dimensions height 278 mm, width 184 mm
Curator: Immediately, there’s a warmth that emanates from this print. The intimacy of the mother-child bond, almost startling in its immediacy... Editor: Indeed. Let’s orient our listeners. This is "Maria met Kind," or "Mary with Child," an engraving created in 1638 by Pierre Daret. It’s currently held in the Rijksmuseum's collection. Curator: Daret's mastery really shines. Note how the texture of Mary’s drapery contrasts against the smooth, luminous skin of the Christ Child. It's a stark juxtaposition, almost a symbolic encoding. Editor: It highlights the Baroque emphasis on drama and emotion through stark contrasts. Look at the use of light and shadow, the chiaroscuro, lending a sense of three-dimensionality and realism. Daret focuses on this contrast between light and shadow that animates both the drapery and the Madonna's face. The Latin text, which reads: "I am my beloved's, and his desire is for me." seems to ground all forms of carnal desire on an affection of higher order. Curator: Yes, that inscription offers a profound meditation on sacred love. And look at Mary's expression. Her gaze is downcast, filled with a serene melancholy. There is more going on than meets the eye. What would Mary have made of what that young babe grew to mean? Editor: Undoubtedly. The composition is also very interesting. It seems classical—the arrangement recalls Renaissance prototypes of mother-and-child portraits but, also, somehow daringly, modern, even as it employs traditional techniques and Baroque visual rhetoric. Curator: The way she delicately cradles him, but yet it looks awkward, unfulfilled; this blend of human tenderness and a sense of distant, impending sorrow just resonates profoundly. Almost unsettling in the most intimate, and nurturing scene in a mother's life... the question looms of what it will mean for Mary. Editor: Precisely, a tension achieved via the artistic command that Daret brings to his meticulous line work and careful orchestration of light. This Baroque print is more than just a devotional image; it's a sophisticated exercise in contrasts, of textures, meanings, and even futures. Curator: A window into a private moment of a relationship that is all the more interesting with all the implied sorrow that the composition and text highlight. This mother and child embrace could almost break your heart with the love and loss you see coming. Editor: An interesting image by which we can observe the eternal conflict, a complex mix of devotion and drama, a subtle meditation on what's happening but, maybe most intriguingly, on what will come next.
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