The Woman Who Loved Love (Koshoku Ichidai Onna); by Ihara Saikaku (1642-1693), Vol. 3 

Editor: This is a page from the illustrated book *The Woman Who Loved Love*, volume three, by Ihara Saikaku, illustrated by Yoshida Hanbei. It feels very intimate, like a peek into a private space. What do you see in this work? Curator: I see the intricate depiction of Edo-period interiors, highlighting the material culture and social context surrounding the depicted women. The woodblock printing process itself is crucial; its accessibility allowed for wider dissemination of these stories and images, shaping perceptions of women and their roles in society. Editor: That's fascinating! So, the means of production influenced its impact? Curator: Precisely. The mass production of these images contrasts with traditional "high art," democratizing representation and offering a glimpse into the lives and desires of the courtesans. Editor: I hadn’t considered the social implications of the printing process itself. Thanks!