Card Number 595, Miss Roberts, from the Actors and Actresses series (N145-3) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s
drawing, print, photography
portrait
drawing
figuration
photography
Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)
Curator: This portrait, entitled "Card Number 595, Miss Roberts" comes to us from W. Duke, Sons & Co. in the 1880s. It was part of a series used to promote Cross Cut Cigarettes. Editor: She looks absolutely exhausted, doesn't she? The kind of dramatic weariness only achievable when your profession involves reciting lines on a stage under gaslight. I feel that sigh deep in my soul. Curator: Indeed, these cards served as both advertisement and cultural artifact. Let's consider Miss Roberts here – likely a stage actress, elevated through mass-produced imagery, while also being used to push a product. This period saw a fascinating intersection of burgeoning celebrity culture and commodity capitalism. Editor: Exactly. I wonder how aware she was of that exchange. It's like she’s looking out from beyond the sepia tones, wanting us to really *see* her beyond the label of “cigarette peddler.” It’s oddly intimate. Curator: It brings up questions about the objectification of women in advertising, the commodification of artistic talent, and how perceptions of beauty and success are manufactured and consumed. Notice her elaborate attire: a sharp juxtaposition that makes us ask "who dictates those ideals?” Editor: It really gets you thinking about beauty standards, right? It makes me think of the performances of self we stage daily on social media, the layers of constructed images that create and distort "reality". I almost want to send Miss Roberts a self-care basket and a strong cup of coffee. She deserves it after all the pressure, right? Curator: That resonates well. Thinking about historical figures within our current realities gives perspective. Editor: Yes! Maybe we can acknowledge her contributions while examining the mechanisms through which her image was deployed. Perhaps, her silent weary look isn't really one of resignation. What if that stare is an insight? Curator: Food for thought, absolutely. Thank you. Editor: My pleasure. Let's hope that reflection resonates with our audience as they leave!
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