Gezicht op de Illilouette in de Yosemite Valley by Carleton E. Watkins

Gezicht op de Illilouette in de Yosemite Valley before 1868

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photography, gelatin-silver-print

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landscape

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river

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photography

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coloured pencil

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mountain

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gelatin-silver-print

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hudson-river-school

Dimensions height 206 mm, width 155 mm

Curator: This gelatin-silver print, titled "Gezicht op de Illilouette in de Yosemite Valley," taken by Carleton Watkins before 1868, presents a tranquil vista. Editor: Wow, there's a quiet grandeur. It feels almost meditative; a landscape holding its breath. It's monochrome, obviously, which lends this sense of faded power to the overall picture. Curator: Watkins’ photographs, particularly those of Yosemite, played a crucial role in the conservation movement. His images, widely circulated, brought the sublime beauty of the American West to the attention of those in power on the East Coast and the rest of the country. They demonstrate what photography can do. Editor: So it was art and activism? I love the tonal range and texture in those trees. Is it just me or are they painted so skillfully that this print achieves an almost painterly quality? This is so strange, you look at the rocks behind the trees. Watkins captured such an ancient landscape using a technology of the future. It gives me some thoughts! Curator: Indeed! Watkins' mastery of the collodion process, evident here, allowed him to capture incredible detail and create prints of exceptional clarity, showcasing a deep connection to the Hudson River School. Editor: Ah, that's it! That old school vibe with this super new tech. Okay, makes total sense. The river bends slightly, reflecting just the right amount of light in a very calculated way. Watkins totally has the 'it' factor to transform what could be a pretty touristy snapshot into this timeless reflection. Curator: The scale, both in terms of the landscape and Watkins' large-format camera, contributed significantly to the impact of these images. They conveyed a sense of the immensity and untouched nature of the Yosemite Valley. He presented nature to the people! Editor: It's true—that mountain face really gives a sensation of great power and size. It's like nature showing off, captured so delicately in shades of grey. I almost feel insignificant. And very thirsty for fresh water! Curator: Considering Watkins' work helped Yosemite become a National Park, it demonstrates the potential of art to influence not only public opinion but public policy. Editor: What a legacy, really. He captured a moment that changed moments to come! Thanks for guiding me. Curator: Thank you.

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