The Valley of Creuse at Fresselines 1889

Claude Monet created 'The Valley of Creuse at Fresselines' using oil paints and canvas. These were the tools of his trade, but think about it - the pigments themselves originally came from the earth. Here, Monet is applying color in dashes and strokes, working the surface of the painting into a frenzy of reflected light. It's not just about the scene itself, but the experience of it. Monet was interested in representing light, air, and the fleeting moment, and that meant prioritizing the materiality of the paint itself. The canvas is almost completely covered with paint; the labor involved in creating this painting is apparent in every stroke. Each application contributes to the painting's texture and depth. The painting is not only a representation of the French landscape but also an object with its own physical presence. Ultimately, the artwork urges us to consider the importance of materials, making, and context, allowing us to move beyond traditional distinctions between fine art and craft.