Zicht op de Wittevrouwensingel te Utrecht by Gustav Johan Erik Jochmann

Zicht op de Wittevrouwensingel te Utrecht 1900 - 1940

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photography, gelatin-silver-print

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dutch-golden-age

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landscape

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photography

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gelatin-silver-print

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cityscape

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realism

Dimensions: height 227 mm, width 288 mm, height 350 mm, width 436 mm

Copyright: Rijks Museum: Open Domain

Gustav Johan Erik Jochmann captured this view of the Wittevrouwensingel in Utrecht with his camera. The tranquil waterway, spanned by a bridge, and the bare trees bordering the canal evoke a sense of melancholy. The bridge itself acts as a potent symbol. Throughout history, bridges have signified connection, transition, and the passage from one state to another. One can think of the "Ponte Vecchio" in Florence, a symbol of mercantile wealth. Here, however, the bridge appears as a silent invitation to cross into an unknown future. It's a threshold, isn't it? A liminal space, much like the waterways themselves, that carry us through periods of change, and even uncertainty. These waterways, like those depicted here, are arteries of civilization, channels for not just water, but also for the movement of ideas and cultural exchange. The stillness of the water and the bare trees might subconsciously evoke a collective memory of times past. The image engages our subconscious on a primal level.

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