Design for Suspended Censer 1652 - 1725

Editor: So, here we have "Design for Suspended Censer," from sometime between 1652 and 1725, by Giovanni Battista Foggini. It's ink on, uh, print... drawing. It has such a delicate quality to it, even though the subject matter feels weighty. It seems so ornate. What draws your eye when you look at this piece? Curator: My gaze is caught by the sheer theatricality of it all. Imagine this censer, not just sitting there, but *swinging*, perfuming the air! Foggini captures the Baroque love of drama. But look closer. The cherubic faces on the sides aren't just decorative; they’re hinting at something deeper, perhaps a celestial presence. Don’t you think the wisps of smoke add to that? Editor: Absolutely. I see that too. Do you think the design's practicality was as important as its beauty? Curator: A fabulous question! While functional, I suspect Foggini reveled in ornamental extravagance. It reminds me a bit of set design. He might have prioritized dazzling the eye, creating an experience. Consider the light playing on those curves. Did you also notice how those chubby cherubs offset the stern elegance of the overall form? Editor: I love that contrast! It's so easy to get caught up in the details and miss the playfulness. I came expecting religious solemnity. I leave seeing spirited humanity. Thanks for guiding me. Curator: And thank *you* for showing me that sacred designs are always also grounded in human foibles and creative joy!