print, woodcut, wood-engraving
portrait
figuration
woodcut
northern-renaissance
wood-engraving
Dimensions: 5 3/8 x 7 1/8 in. (13.65 x 18.1 cm) (image)9 7/16 x 12 1/8 in. (23.97 x 30.8 cm) (sheet)
Copyright: No Copyright - United States
Curator: Timothy Cole crafted this intriguing piece in 1905; it's a wood engraving called "The Holy Family of the Little Bird," housed here at the Minneapolis Institute of Art. Editor: The composition strikes me immediately. It's dominated by this textured field, this overall stippling, creating a quiet, almost reverent mood. The contrasts are subtle but effective. Curator: Cole, working in this Northern Renaissance style, really captured a domestic scene brimming with potent symbolism. We have Joseph, Mary, and the Christ child, yes, but that little bird... Editor: Yes, the bird! See how the child reaches for it, disrupting an otherwise static pyramid structure? This off-kilter moment makes the whole scene so very intimate. Curator: The bird, throughout centuries, symbolizes the soul and often the promise of salvation. The Christ child reaching signifies His connection to earthly creation but also to spiritual destiny. The work engages ideas about nature. Editor: But consider how masterfully Cole manipulated the wood to create that depth. Notice how he uses subtle gradations to sculpt the figures, almost drawing you into the private, safe space of the holy family and a domestic setting. The material gives it a touch of realism and modesty. Curator: Precisely. Also, we must not overlook the setting itself. Look closely, there is also the laundry and some wood furniture. The subtle indicators create a timeless family tableau. It connects us to a foundational myth. Editor: I love your use of "foundational myth", this connection from grand stories to mundane chores. Despite being a "holy" family, they reside within a domestic and humble space, giving importance to both the spiritual and real worlds. Curator: I find it so compelling how "The Holy Family of the Little Bird" invites viewers to consider these intertwined layers of religious belief and lived experiences. A good choice by Timothy Cole to include humble symbolism as an artistic tool. Editor: And I, reflecting on this wood engraving, can truly appreciate how his choices concerning composition and tone make you almost able to reach into this delicate portrayal of profound familial faith.
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