Exterieur van de Oranjerie in Kassel c. 1870 - 1890

Editor: Here we have Johan Nöhring’s “Exterieur van de Oranjerie in Kassel,” an albumen print from sometime between 1870 and 1890. It's a fascinating depiction of neoclassical architecture. I am struck by the sharp focus on the Orangerie itself contrasting with the haziness of the unpaved ground in front. How might we consider this piece within a wider context? Curator: Let's examine the context of photography in that period. The albumen print was a relatively inexpensive process that facilitated the mass production of images. This specific image showcases not just the architectural achievements of Kassel but also the capabilities of industrial reproduction to reach a broad audience. Consider how the Orangerie, a symbol of aristocratic power and leisure, is rendered accessible through this readily available medium. The material conditions of photographic production are democratizing visual consumption. Editor: So, you're suggesting the image's significance extends beyond the Orangerie itself and into the realm of photographic production? How does the rise of photography shift artistic labor at the time? Curator: Exactly. We see the role of the artist transforming into one of image production, facilitated by advancements in chemical and mechanical processes. The labor involved shifts from the individual artistry of painting to the collective effort required for photography: from the photographer's expertise to the chemical production required in printing and processing. Think about how this image participates in the burgeoning tourism industry and promotes Kassel, offering us insights into social mobility and cultural consumption. Editor: I hadn’t thought about it that way, seeing it as part of the growing commercial industry. The focus shifts to the mechanics and implications of making images available to the masses. Curator: Precisely. By analyzing the materiality of this albumen print and its means of production, we unlock a deeper understanding of the social forces and transformations at play during this period. Editor: This really gives me a lot to think about regarding how art is both produced and consumed. Thank you for sharing your insights!