Virgin and Child Adored by Two Angels c. 17th century

Curator: This is François de Poilly the Elder’s engraving, "Virgin and Child Adored by Two Angels," housed right here at the Harvard Art Museums. Editor: There's a striking intimacy in this image, almost familial, despite the divine subject matter. Curator: Indeed. Poilly's mastery of line and tonal variation creates a captivating composition. Note the pyramidal structure, stabilizing the figures within the landscape. Editor: I'm struck by how the virgin, seemingly the same age as the adoring angels, presents a youthful and perhaps more approachable vision of motherhood. Curator: The landscape itself, though secondary, is meticulously rendered, adding depth and a sense of idealized serenity. Editor: I appreciate how Poilly subtly challenges traditional representations, inviting viewers to consider new perspectives on feminine strength and divine grace. Curator: A beautiful piece—one that speaks to the power of form and composition. Editor: Yes, and how those elements can still inspire contemporary dialogue around identity and representation.