Pauline Hall, from the Actors and Actresses series (N45, Type 8) for Virginia Brights Cigarettes 1885 - 1891
drawing, print, photography, albumen-print
portrait
drawing
photography
watercolor
albumen-print
Dimensions: Sheet: 2 5/8 x 1 1/2 in. (6.6 x 3.8 cm)
Copyright: Public Domain
Editor: This is "Pauline Hall," an albumen print from around 1885-1891, part of the "Actors and Actresses" series by Allen & Ginter. There's something intriguing about the pose; it’s like a staged candid moment. What stories do you see in this portrait? Curator: I see the deliberate construction of celebrity. An albumen print, itself a process rooted in chemical and commercial symbolism, was created as a kind of trading card within a series. Consider the performative nature of the subject—an actress—and the deliberate pose struck. The photograph, then, acts as a simulacrum of the *real* person, mediating our understanding of her. Notice her leaning posture: could that symbolize a transgression from traditional gender expectations in the theater? Editor: That's a fascinating angle. The casual lean, paired with her slightly androgynous clothing, definitely hints at a blurring of gender roles. Curator: Exactly! Consider the social and cultural context: what did it *mean* to be an actress at this moment in time? These cards served as cultural touchstones, simultaneously shaping and reflecting public perception of these performers. Is there anything in the setting that alludes to character? Editor: Well, it looks like she is on a stage setting and costume allude to something “other”, or maybe the country? It also might signal her performance style…a role… a personality that does not belong to “ high class” Victorian society? Curator: An interesting speculation! That very potential for constructed identities is present. What could her earring be meant to say in her construction of her presentation? It isn't common for an actress in those years. Editor: I didn’t even catch that small, important detail! Thank you for bringing this to my attention; that is very unusual in Victorian portraiture! Now I see the way even the smallest signifier impacts meaning. Curator: Indeed. Every carefully selected element—pose, clothing, accessory—contributes to the construction of an image intended for widespread consumption. So, how does it alter your view?
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