Ferry c. 19th century

Curator: Immediately, I am struck by the textural density achieved through the monochromatic rendering. What can you tell me about this work? Editor: This is "Ferry," an engraving by Edward Goodall, residing here at the Harvard Art Museums. Notice how the scene depicts a boat, laden with people and animals, crossing a river under a vast sky. Curator: The image presents a fascinating narrative of labor. Consider the material conditions—the construction of the ferry itself, the harnessing of animal power, the coordination of human effort—all for the purpose of transit and trade. Editor: Indeed. But the composition is what captivates me; the balance between the detailed foreground and the softer, more atmospheric background creates a sense of depth and perspective. Curator: And it speaks to the division of labor inherent in landscape production; a subject so frequently represented in art, yet often divorced from its material realities. Editor: Ultimately, whether viewed through the lens of labor or composition, Goodall's "Ferry" presents a compelling image of human interaction with the natural world. Curator: A world shaped as much by physical effort as aesthetic contemplation.