Passanten in een brede straat, links een gendarme, een man, vrouwen en hond by Georges Michel

Passanten in een brede straat, links een gendarme, een man, vrouwen en hond 1773 - 1843

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drawing, pencil

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drawing

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dog

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landscape

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pencil

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cityscape

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genre-painting

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realism

Dimensions height 88 mm, width 125 mm

Curator: Here we have a drawing titled "Passanten in een brede straat, links een gendarme, een man, vrouwen en hond" by Georges Michel, likely created between 1773 and 1843. It's a pencil drawing depicting a cityscape. Editor: Mmm, initially, I feel a strange sort of detachment from it. Almost ghostly – all these figures going about their business in very faint pencil lines... there's a certain humbleness to it, isn't there? Like eavesdropping on a quiet moment in time. Curator: It’s intriguing how Michel uses such a light touch to depict what appears to be a bustling street scene. Considering its historical context – pencil becoming a more accessible medium, alongside paper production, afforded a certain freedom. Do you think this everyday snapshot seeks to break boundaries between high art and common scene depiction? Editor: I love how the eye is drawn along the implied lines of the road – towards the buildings, and almost, vanishing point in the distance. The figures seem both present and ethereal...Like dreams of busy city days gone by, captured on the page with just the ghost of graphite. It's the opposite of bombastic art! Curator: Yes, it offers insight into the social fabric of the time, from clothing styles to urban infrastructure, highlighting an important relationship to the burgeoning city. Also, you see that Michel used drawing to document the human activity and landscape transformation that was occurring simultaneously. This provides clues about the impact of modernity on the French population. Editor: Exactly. Despite being rendered with restraint, it teems with human presence. To me, it is almost melancholy. You can feel the hustle and bustle through the page. Curator: Well, such attention to these aspects certainly emphasizes art as a cultural product. Editor: It is a quiet record, not loudly proclaiming any single event but marking time as only a simple act of drawing can do. It feels incredibly personal somehow! Curator: True, and it is those very tangible traces that allow us insight into its historical importance today. Editor: Indeed, seeing the world anew in muted tones. I will take this home with me as my way of appreciating urban life in its simplest yet grand form.

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