Wine glass by Anonymous

Wine glass c. 18th century

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glass

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glass

Dimensions 6 1/4 x 2 7/8 x 2 7/8 in. (15.88 x 7.3 x 7.3 cm)

Curator: Take a look at this intriguing artifact from the Minneapolis Institute of Art, a wine glass dating back to the 18th century. What strikes you about it at first glance? Editor: It seems so delicate, almost ephemeral. The transparency of the glass creates this impression of lightness. There’s a simple elegance about it, yet it also appears quite fragile. Curator: Exactly. When considering objects like this from the 18th century, it is vital to consider the complex social rituals and political dynamics connected with the consumption of wine, and the craftsmanship that elevates what could simply be utilitarian. Ownership of fine glassware would often delineate gender, race and social standing. Editor: Absolutely. The era witnessed shifting power structures, gender roles, and increasingly sophisticated societal customs, where items like these, intended for refined social events, often reinforced societal hierarchies. Think about how domesticity itself becomes such a charged topic around this time, right? Curator: Yes, that's crucial. It also points to the craftsmanship. Despite its delicate appearance, glassmaking at the time was a developing craft, where skills in manipulating such a fragile medium indicated expertise and refinement. Editor: Definitely. These material things speak of societal complexities of class, labour, trade—as we study historical glassware production we get a closer picture of consumerism during the period. Curator: When we observe this artifact within those contexts, it becomes much more than a drinking vessel; it morphs into a looking glass itself, revealing glimpses into history's reflection on class, capability, and evolving customs. Editor: Precisely. Objects like this allow for re-evaluations, helping contemporary conversations related to inclusivity and the socio-economic past become a part of contemporary theory as it interacts with historical settings. Curator: The way history and social contexts coalesce into the most beautifully sculpted glassware always makes me smile. Editor: And for me, it is understanding that a single object—a humble glass—mirrors epochs and intricacies that I find genuinely profound.

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