Susanna Smuls en Leuye Joost 1612 - 1652

Editor: So this engraving, "Susanna Smuls en Leuye Joost," dating sometime between 1612 and 1652, by Johannes or Lucas van Doetechum, presents two portrait drawings side-by-side in oval frames. The textures achieved through the engraving process create an intriguing contrast between the figures' faces and clothing. How would you interpret this piece purely through its form? Curator: Note the deliberate use of line. Each mark meticulously defines the contours and shadows, achieving a remarkable depth considering the medium. Consider, too, the use of these oval frames to constrain the figures; do they function as aesthetic devices or something more significant? Editor: That’s a really good point. Perhaps they represent the societal constraints of the time? Do you find any symbolism in their gaze or features? Curator: Precisely! The gaze could serve an aesthetic end or signal social relations of the time. Observe how each face is structured through the rigorous application of hatching and cross-hatching. It would seem that this portrait drawing possesses both an interest in geometric forms and verisimilitude. Editor: That makes so much sense. I hadn't considered the pure geometry involved. Thanks! Curator: The pleasure is mine. It’s important to recognize and appreciate form; we've touched on how this may unveil so much meaning and intent.