Ontwerpen voor een bonbonblik van de firma Van Houten by Cornelis Vreedenburgh

Ontwerpen voor een bonbonblik van de firma Van Houten 1890 - 1946

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drawing, graphic-art, collage, paper, pencil

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drawing

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graphic-art

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light pencil work

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collage

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hand drawn type

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paper

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personal sketchbook

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idea generation sketch

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sketchwork

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ink drawing experimentation

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geometric

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pen-ink sketch

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pencil

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line

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sketchbook drawing

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sketchbook art

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initial sketch

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Ontwerpen voor een bonbonblik van de firma Van Houten," designs for a chocolate box by the Van Houten company, made sometime between 1890 and 1946 by Cornelis Vreedenburgh. Looking at these sketches – pencil, paper, collage, the works – I find myself strangely drawn to their raw, unfinished energy. They feel so immediate, like peeking into the artist's mind. What do you see when you look at these initial ideas? Curator: It's funny, isn't it? How something as simple as a preliminary sketch can hold so much. To me, this isn't just about chocolate, though who doesn't love a good bonbon? This piece whispers of a time when even commercial art was deeply entwined with artistic expression. Vreedenburgh wasn't just designing a box; he was crafting an experience, a small piece of art that would hopefully linger even after the chocolates were gone. Do you think they capture the essence of the brand somehow? Editor: Absolutely. Even in these rough drafts, there’s a certain…elegance, a suggestion of luxury. It’s not flashy, but refined. And you’re right, it makes you think about design as more than just slapping a logo on something. It’s about creating a whole world, even for something as fleeting as a chocolate box. Curator: Exactly! And imagine the possibilities within these lines. A little tweaking here, a dash of color there...it is interesting to ponder whether the final design looked anything like these early musings. What do you think about how modern-day designers generate concepts versus Vreedenburgh's? Editor: Hmm, that’s interesting to consider. I’d say that digital tools definitely offer efficiency and precision, but there’s also something lost, perhaps, in that immediate connection of hand to paper. Curator: Perhaps we are just old romantics, waxing lyrical about sketchbooks and pencils... Anyway, thanks for sharing your insights. Editor: No, thank you! Looking at art this way reveals there is so much to discover.

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