København set fra Gl. Kalkbrænderi by Jens Holm

København set fra Gl. Kalkbrænderi 1776 - 1858

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print, watercolor, engraving

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print

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landscape

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watercolor

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romanticism

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cityscape

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genre-painting

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engraving

Dimensions: 160 mm (height) x 204 mm (width) (bladmaal)

Curator: Jens Holm's "København set fra Gl. Kalkbrænderi," likely created sometime between 1776 and 1858, offers a tranquil glimpse into Copenhagen’s cityscape. The artwork employs both watercolor and engraving, offering us a nuanced depiction of the time. Editor: My first impression is of serene stillness; the soft watercolor palette creates an atmosphere of gentle contemplation. It’s structurally quite balanced; the architectural elements on the left and right visually anchor the open expanse of water. Curator: Indeed. Consider the implications of "Gl. Kalkbrænderi"—the old limekiln. This vantage point isn't just a physical location; it's a social and economic one. The limekiln suggests the industrial activities occurring on the periphery of the city. What labor fueled this industry, and who benefitted? How does this romanticized view contrast with the lived experiences of the working class? Editor: An intriguing point. And note how the artist’s calculated deployment of line in the engraving precisely delineates forms—particularly in the city skyline across the water. These hard lines juxtapose nicely with the fluid washes of the watercolor. Curator: Precisely. I’m interested in the choice to include figures in what would otherwise be a simple landscape. A family is walking by the Kalkbrænderi. It could suggest how urban and industrial development encroach on traditional family life and leisure, and change society at large. Editor: From a formal perspective, I can observe how Holm frames the cityscape by those architectural remains in the left, using the negative space of their arch as a window. Also, those strategically placed figures give the view depth, moving your eye through the spatial composition from foreground to background. Curator: Considering the period in which it was made, Copenhagen's social landscape was on the cusp of radical change. This piece seems to both embrace and subtly question the era's transitions. Editor: Well, looking closely at the calculated construction of the view, I really came to appreciate how Holm achieves balance with a subtle combination of technique and the eye, resulting in this lovely vista.

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