Italian Summer #28 1970

Elaine de Kooning made 'Italian Summer #28' with watercolor using broad strokes of color. What I like about this piece is the way it understands art-making as a process, not necessarily aiming for a finished or polished look. The blues and greens create a sense of depth and movement. The brushstrokes feel quick and intuitive, capturing the energy of a summer day. There’s a section in the upper left corner with these sunny yellows; they feel like a fleeting moment of warmth and light. I love the way the paint drips and bleeds, adding to the overall sense of spontaneity. De Kooning’s work reminds me of Joan Mitchell, both artists use color and gesture to evoke emotion and experience. Ultimately, this piece feels like a conversation, a dialogue between the artist, the medium, and the world. It's open-ended, inviting us to bring our own interpretations and experiences to the work.