Studien zu einem Selbstbildnis 1909

Lovis Corinth created this work, “Studien zu einem Selbstbildnis,” a study for a self-portrait, using graphite on paper. The composition of the drawing is dominated by a central, frontal depiction of the artist. It is surrounded by smaller, less defined sketches of his face exhibiting various expressions. The main portrait shows Corinth holding a rectangular object. His gaze is direct and intense, creating an immediate connection with the viewer. The surrounding sketches capture a range of emotions, from anger to surprise, each rendered with quick, energetic lines. Corinth’s approach here destabilizes the traditional self-portrait by presenting not a singular, fixed identity, but a multiplicity of selves. The use of graphite allows for a dynamic interplay of light and shadow, enhancing the emotional depth of each sketch. This piece functions as a semiotic system, with each facial expression serving as a signifier of inner states, challenging the notion of a stable, unified self.