Saint Agnes c. 17th century

Curator: Here we have Jacques Callot's "Saint Agnes," a small engraving from the early 17th century, part of the Harvard Art Museums collection. Editor: The image feels so self-contained, almost like a coin or a charm. The stark black lines give it a rather dramatic, devotional feel, don't you think? Curator: Absolutely. Agnes's story, her martyrdom for her faith, is deeply embedded in the visual language. The lamb, her attribute, symbolizes innocence, sacrifice, and her connection to Christ. Editor: And her clasped hands, upturned gaze... It's a perfect encapsulation of pious devotion and female virtue, ideals so valued in the early modern period. You can almost hear the societal echoes. Curator: Indeed, Callot was a master of visual storytelling within the confines of his historical context. Each element carries a deliberate weight. Editor: It's fascinating how such a diminutive piece can speak so powerfully about faith, history, and the enduring legacy of symbols.