Twee mannen in Volendamse klederdracht staand bij een sloot met op de achtergrond een molen by G. Hidderley

Twee mannen in Volendamse klederdracht staand bij een sloot met op de achtergrond een molen c. 1900 - 1910

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photography, gelatin-silver-print

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portrait

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dutch-golden-age

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landscape

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outdoor photograph

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outdoor photo

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archive photography

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photography

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historical photography

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gelatin-silver-print

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monochrome photography

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realism

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monochrome

Dimensions: height 67 mm, width 97 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a gelatin silver print dating from around 1900-1910, titled "Two Men in Volendam Costume Standing by a Ditch with a Windmill in the Background." It's a pretty classic Dutch scene, wouldn’t you say? Very serene…almost staged, in a way. What stands out to you about this piece? Curator: It's fascinating how photographs like this participated in constructing and reinforcing national identity. The carefully chosen 'traditional' costumes and the quintessential Dutch landscape – the windmill, the flat land – project a very specific image. Do you think it represents authentic rural life or a romanticized ideal meant for consumption? Editor: Hmm, that’s a great question. I mean, it feels very… deliberate. Like a postcard. Maybe it's both? What was the purpose of such images at the turn of the century? Curator: Photographs like these became incredibly popular, fueling tourism and solidifying a visual vocabulary of "Dutchness." Think about it: these images circulated widely, creating a shared visual understanding, both domestically and internationally. But it also risks essentializing a complex culture into simple, easily digestible images. Is that limiting, do you think? Editor: I see what you mean. It's like freezing a culture in a specific time and place. Does it bother you, as a historian? Curator: As a historian, it compels me to unpack the layers of meaning. These aren't simply neutral depictions, they're carefully crafted narratives with socio-political implications. Examining them critically helps us understand how national identity is constructed and perpetuated. Think about how social media continues this trend today… Editor: That makes so much sense! I hadn’t considered the photograph as a cultural tool shaping perceptions like that. Curator: Indeed. So next time, let’s dig into this photographic strategy in our contemporary landscape. Editor: I am now excited about landscape! Thanks for this insight.

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