Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] by Bartolomeo Fenice (Fénis)

Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] 1659

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drawing

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aged paper

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toned paper

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light pencil work

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print

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pen sketch

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pencil sketch

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landscape

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personal sketchbook

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soldier

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men

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pen work

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sketchbook drawing

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italy

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sketchbook art

"Francesco I d'Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle" is a 1659 etching by Bartolomeo Fenice. This print is a detailed depiction of a military encounter, highlighting the strategic maneuvers and tactical brilliance of Francesco I d'Este. The scene unfolds with a bird's-eye perspective, capturing the expansive landscape and the disciplined formations of both armies. This intricate composition showcases the artist's mastery of etching technique, rendering the intricate details of the fortifications, weaponry, and soldiers with remarkable clarity. The print is a testament to the historical significance of Francesco I d'Este and his military prowess. The etching is part of a larger series celebrating Francesco I d'Este, a Duke of Modena and Reggio, showcasing his military achievements, political acumen, and his status as a Christian hero. The work is now housed in the Metropolitan Museum of Art in New York City.

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