Confined 2019

Curator: This is "Confined," an oil painting created in 2019 by Monica Ikegwu. It’s an incredibly compelling, almost hyperreal figurative portrait. Editor: Whoa, she looks fierce, doesn’t she? That deep, glossy black lipstick against all that silvery gray makes her feel so modern, almost otherworldly. The name feels spot-on; she looks restricted but rebellious. Curator: Absolutely. I’m immediately struck by the almost oppressive silvery tones. It’s like being trapped in a grayscale dream, or perhaps a sort of societal straightjacket. Editor: Yes! And the oversized bomber jacket backdrop echoes that feeling. The folds in the material almost resemble prison bars, further hinting at the feeling of being confined, maybe less physically and more psychologically or emotionally. Note the American flag on the jacket, too – is there perhaps a comment on the American dream? Curator: It's fascinating you mention the backdrop! It makes me consider the power dynamics and social structures that might create these feelings of confinement in a young person's life, like the subject's life maybe. The stark contrast between the jacket's metallic sheen and her skin is stunning, really makes you feel the temperature. I feel like I can see my reflection in the zipper even! The artist shows their extraordinary talents here! Editor: I couldn’t agree more. This piece taps into so much, really. Youth culture, rebellion, societal expectations, a certain defiance. Plus the shadow falling on the left adds a hint of disquiet. It creates the image of two halves: what’s real, what is shadow...it reminds us how often perception isn’t always truth! Curator: Yes, and even her hand, touching her collar. It suggests not just restriction but maybe also an active defiance of that feeling – or a sort of reclaiming of agency through her expression and her gaze. So much strength but sadness! I can’t stop thinking about the use of her color palette! So impressive. Editor: Exactly! Ultimately, "Confined" invites a powerful discussion about what restricts us, physically, emotionally, culturally. And it shows, in stark contrast, what strength it takes to not give into the shadows of that world! Curator: Precisely, and it’s this blend of strength and vulnerability that leaves a lasting impact. We carry the shadows from paintings like this long after we walk away, isn't that marvelous?