Dier en een vogelpoot by Carel Adolph Lion Cachet

Dier en een vogelpoot 1896

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drawing, ink

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drawing

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art-nouveau

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abstract

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ink

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pen-ink sketch

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sketchbook drawing

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Dier en een vogelpoot," or "Animal and a Bird's Leg," an ink drawing from 1896 by Carel Adolph Lion Cachet, currently held at the Rijksmuseum. Editor: My first impression? Disquieting. The animal form seems to writhe in some kind of abstract agony, or maybe it's simply incomplete. The heavy lines around the bird leg feel… accusatory, almost. Curator: That’s an interesting reading. From a formalist perspective, note how Cachet employs a stark contrast between the bold, almost brutal strokes defining the bird’s leg and the delicate, tentative lines sketching the animal. The juxtaposition invites contemplation. Editor: Contemplation, or confrontation? There's a rawness here, wouldn't you say? A feeling of the artist grappling with something unpleasant, maybe mortality itself. The sketch feels unfinished, deliberately withholding comfort or resolution. It’s like peering into the artist's subconscious, all jagged edges and half-formed ideas. Curator: The lack of finish, arguably, directs our attention to the materiality of the work itself: the relationship between ink and paper, the trace of the artist’s hand. Observe how the negative space becomes just as significant as the marked areas. Editor: True. The empty space hums with unspoken tension. This isn’t a celebratory depiction of nature, is it? More a meditation on its fragility. That little bird foot dangling like that… is it a memento mori? Curator: Perhaps. The Art Nouveau influence evident in its swirling lines also lends the drawing a decorative aspect, but there is no comfort offered. Instead we see distortion as well as implied narrative. Editor: Distortion, yes! It’s unsettling, that's what holds my attention. What Cachet manages to evoke with so little. He teases the eye. I am also struck by the tension arising from the combination of almost carelessly applied, light strokes with bold, solid, dominating lines. This gives an unnerving sense of hierarchy among different shapes of forms presented. Curator: Precisely. The hierarchy destabilizes conventional expectations. Thank you, that perspective adds to this drawing. Editor: The experience of confronting this drawing lingers. Like a whispered question I don't quite know how to answer.

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