The Lotus 1707

Shitao, a prominent figure in early Qing Dynasty painting, rendered 'The Lotus' using ink on paper. The lotus flower, a symbol of purity and enlightenment, is a recurring motif in Buddhist art and philosophy. Born into the Ming Dynasty, Shitao lived through the Manchu conquest of China, and later became a Daoist priest. During this period, many artists turned to reclusion, seeking personal expression over official patronage. ‘The Lotus’ reflects this shift, as Shitao rejected the prevailing orthodox styles of painting, emphasizing individualism and innovation. His bold, expressive brushwork departs from traditional techniques, signaling a progressive approach to art-making. By studying Shitao’s life, examining the social and political upheaval of his time, and delving into texts on Chinese aesthetics, we come to a richer understanding of the artist’s radical vision. Art history reminds us that an artwork is always a product of its time, shaped by cultural values and individual choices.