Horse Rolling Over c. 1986

Curator: Elisabeth Frink's "Horse Rolling Over" offers such a striking pose. The absence of a precise date invites us to see it within the breadth of her career. Editor: There's a certain vulnerability here. The upturned legs—a gesture of playfulness, perhaps? Or is there an underlying sense of being exposed? Curator: Frink often explored themes of power and vulnerability, deeply affected by the sociopolitical climate. Does this sculpture hint at a critique of dominance, even in its apparent levity? Editor: The horse, historically a symbol of nobility and strength, is now disarmed, almost comical. It's a fascinating inversion of its traditional symbolism. Curator: The scale, though modest, allows for an intimate encounter. The work shifts away from grand narratives of the equestrian statue, favoring a more personal interaction. Editor: Definitely. This isn't a triumphant steed, but a creature caught in a moment. I like that it prompts us to reconsider ingrained imagery. Curator: It really does challenge our preconceived notions. Editor: Agreed; there's more to unpack.