Lezende jonge vrouw aan een tafel, haar elleboog rustend op een boek by Angelica Kauffmann

Lezende jonge vrouw aan een tafel, haar elleboog rustend op een boek 1770

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drawing, paper, ink, engraving

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portrait

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pencil drawn

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drawing

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neoclacissism

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facial expression drawing

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light pencil work

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book

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pencil sketch

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old engraving style

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paper

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form

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portrait reference

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ink

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pencil drawing

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limited contrast and shading

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line

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portrait drawing

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pencil work

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engraving

Dimensions height 158 mm, width 118 mm

Curator: Isn’t it amazing how a simple engraving, like this one by Angelica Kauffmann, titled 'Lezende jonge vrouw aan een tafel, haar elleboog rustend op een boek' and dating from 1770, can be so evocative? Editor: Evocative, yes, but there's a quiet intensity too. I mean, the woman is utterly absorbed, shut off from the world, lost in her reading. It's like peeking into a very private moment. Curator: It does feel incredibly intimate, doesn't it? And what I love is that Kauffmann uses such delicate lines to create this atmosphere of serenity. The light pencil work really enhances the sense of quiet contemplation. The Rijksmuseum says it's rendered in ink, and with line so critical to neoclassicism, the texture really pops. Editor: Absolutely, and you know, it’s hard not to see this in the context of the Enlightenment. Here you have a woman engaged in intellectual pursuit, framed at a time when debates around women's education were really starting to gain traction. The image challenges ideas of female intellect. Is this book, and knowledge in general, a pathway toward some kind of agency? Curator: I completely agree! There's a hint of subversion. She's reading something that obviously intrigues her... and as a woman artist, Kauffmann may have felt particularly passionate about representing this very kind of… secret knowledge. As if she herself knew some profound secrets. I feel almost complicit as a viewer, intruding. Editor: Exactly, and Kauffmann herself broke barriers. Her presence in the Royal Academy was a significant moment for women artists. So this image becomes almost a statement of intent, about female intellect, self-determination and maybe access to what has historically been perceived as male domains. Curator: It's interesting, this piece somehow seems to transcend time... that's the power of good art I suppose. Editor: Indeed. This small engraving really holds within it such enormous layers of meaning about access, intellectual ambition, and how we think about the role of women through the ages. It's pretty astounding when you think about it.

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