Portret van een militair by A. Moriau

Portret van een militair c. 1885 - 1900

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photography, albumen-print

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portrait

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photography

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coloured pencil

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genre-painting

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history-painting

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paper medium

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albumen-print

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realism

Dimensions: height 168 mm, width 108 mm

Copyright: Rijks Museum: Open Domain

Curator: A Moriau’s "Portret van een militair," dating from around 1885 to 1900, presents us with an albumen print. Editor: It's a rather unsettling image. There's a strange ethereal quality; the soldier seems to almost fade into the decorative studio backdrop. The sepia tones certainly amplify the spectral ambiance. Curator: The ethereal effect is typical of early photography, a sort of symbolic capturing of presence. Look closely at the way his uniform is rendered; the light catches the buttons, creating a series of repetitive gleaming focal points, anchoring his identity. This could also be interpreted as his stiff pose mirroring his discipline, which can then reflect military values more broadly. Editor: But isn't that also tied to the limitations of the medium? Long exposure times forced such stiff poses. The uniform's materiality, the specific type of fabric, cut, and even those shiny buttons—those things spoke volumes about rank, access, and national industry. And don't forget the paper it’s printed on; where was that albumen sourced, what were the conditions of its production? Curator: Indeed. We also see symbolic echoes within that rather contrived studio setting: a carefully draped backdrop and prop foliage perhaps referencing glory. The very staging can be read as constructing and cementing the social standing of the subject. Editor: The staging also provides some additional insight to how the cultural elite was attempting to situate itself amongst artistic tradition; here it's easy to think of theatrical or staged paintings. I suppose, in this moment, photography was still grasping for ways to be considered a legitimate form of artistry and portraiture. Curator: Ultimately, what stays with me is how Moriau’s photographic decisions speak of constructed identity in the late 19th century. Editor: Agreed. Analyzing the print, from albumen sourcing to military codes embedded in this image, offers a profound insight into the confluence of individual presentation and wider societal systems that shaped this military portrait.

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