Group in theater lobby, "Man with the Golden Arm" premiere--Hollywood by Robert Frank

Group in theater lobby, "Man with the Golden Arm" premiere--Hollywood 1956

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print, photography, gelatin-silver-print

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portrait

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print

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street-photography

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photography

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gelatin-silver-print

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modernism

Dimensions sheet: 20.2 x 25.2 cm (7 15/16 x 9 15/16 in.)

Editor: This is Robert Frank’s “Group in theater lobby, 'Man with the Golden Arm' premiere--Hollywood” from 1956, a gelatin silver print. There's a stillness and formality to it that’s almost unnerving. What stands out to you? Curator: Notice how Frank arranges the subjects. Each figure is isolated, positioned almost equidistant from the others. The stark white wall flattens the space, creating a stage-like setting. Consider the interplay of light and shadow; it emphasizes the geometry, further distancing the figures. Editor: I see what you mean. It’s like they are individuals sharing a common space, yet entirely disconnected. How does this structure contribute to the image's meaning? Curator: Structurally, the even distribution creates balance, yet the figures’ gazes point in different directions, creating tension. Semiotically, this could signify the alienation within social gatherings, highlighting the individual amidst collective experience. Frank disrupts the conventional expectation of group cohesion. Observe the contrast between textures: the smooth wall, the rough fabric of their clothes. What effect do you think these visual choices have? Editor: It’s as if the textures are fighting against each other. They give them this detached feeling like their almost disconnected in the image, that also translates emotionally. They're all together at a premiere, yet everyone seems so still. Curator: Precisely. The photograph challenges our assumptions. There’s a calculated disharmony in the structure. It’s through these visual tensions that Frank invites us to decode the work. I find myself wondering what they are doing. What will they do after this moment. Editor: I now better understand the purpose and construction of this photograph. It appears the subjects’ isolation mirrors our own individual disconnection from those around us, even while being in the presence of each other. Curator: Indeed. The careful orchestration of forms and textures allows us to access a nuanced commentary on society.

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