Bezoek van het eerste Japanse gezantschap aan ´s Rijks Munt te Utrecht 1862 by 's Rijks Munt

Bezoek van het eerste Japanse gezantschap aan ´s Rijks Munt te Utrecht 1862 1862

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print, metal, engraving

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print

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metal

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asian-art

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orientalism

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engraving

Dimensions diameter 3.8 cm, weight 21.91 gr

Editor: Here we have a metal engraving titled "Visit of the First Japanese Embassy to the Royal Dutch Mint in Utrecht 1862," dating back to 1862. The coin-like artwork has a certain old-world, almost anthropological feel to it, capturing a historical encounter. What historical or cultural narratives do you think this work is trying to express? Curator: This piece speaks volumes about the relationship between the Netherlands and Japan in the mid-19th century. Think about the context: Japan had only recently opened up to the West after centuries of isolation. The visit of this embassy was a pivotal moment. This engraving served as a form of public diplomacy, announcing the Netherlands’ progressive policies. Editor: Public diplomacy... I'd never considered that a commemorative coin could be that. Is there any specific imagery here that points to that idea? Curator: Certainly. The Dutch coat of arms is right next to a wreath of what seem to be Japanese chrysanthemum flowers, but stylized to align to western aesthetics. And let's not overlook the engraving technique itself. By choosing this medium, the Dutch could distribute and reproduce these images widely. Consider how important the distribution of such tokens might be in establishing an image of the Netherlands in the East. The fact that they were producing them also indicates the value and political cache they gave to these intercultural exchanges. Editor: So, it's less about documenting an event and more about constructing a specific narrative around it? Curator: Precisely. The visit itself becomes a tool for nation-building. What I find interesting is that this seemingly innocuous commemorative coin serves as a visual testament to complex power dynamics and political ambitions. How does considering this transform your interpretation? Editor: It makes me realize how easily art, even something as simple as a coin, can be used to shape public opinion and even distort history. Curator: Absolutely, a useful tool for us all to bear in mind when visiting our national treasures. Thank you, Editor.

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