Card 1, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes by Allen & Ginter

Card 1, from the Girl Baseball Players series (N48, Type 2) for Virginia Brights Cigarettes 1886 - 1888

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Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Curator: I’m immediately drawn to the almost sepia-toned stillness of this photographic print. The neutral palette evokes a strong sense of the past. Editor: Indeed. This is "Card 1, from the Girl Baseball Players series" created between 1886 and 1888 by Allen & Ginter. These cards were inserts included with Virginia Brights Cigarettes, and can now be found at the Metropolitan Museum of Art. The specific materiality – cardstock paired with a photograph – speaks to its function as a promotional object. Curator: Right. I'm wondering about the baseball card's broader implications within its time period. How does this blend of sports, gender, and commercialism challenge conventional Victorian notions of femininity? Editor: Precisely. These images are fascinating because they demonstrate how women, although frequently constrained, were beginning to stake their claim in athletic spheres. This card participates in the shift by picturing a baseball player with pride and power at the center. How does it tie into burgeoning ideas about female athleticism and empowerment in the late 19th century? The cigarette promotion suggests these ideas were entering popular, mass produced material culture. Curator: Thinking about that, I'm interested in who specifically crafted these cards. Were they mass-produced through an assembly line process? What kind of labor was involved in both the photography and printing aspects? Editor: It’s a key inquiry. It involves examining the laborers in printing factories, understanding the production pipeline and labor conditions and also seeing who benefits economically. By exploring the mechanisms and economic structures of that era, it adds depth to our appreciation. The card is more than just a pretty picture; it encapsulates gender norms, promotional strategy, and material culture all rolled into one small item. Curator: A provocative piece of ephemera, really, capturing a very specific historical moment. It offers us a tangible way to connect with shifting social landscapes and ideologies. Editor: Agreed, its power lies in unveiling the cultural narratives inscribed within a common commercial format.

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