Twee fauteuils 1885 - 1895

Editor: This print from around 1885-1895, titled "Twee fauteuils," seems to be a study of two armchairs in a decorative art style. They look quite regal, almost like thrones, yet something about their pale colors feels muted. How do you interpret the visual language in a piece like this? Curator: Indeed. While these "fauteuils" present as furniture designs, they also speak of power and status through culturally-embedded symbols. The fleur-de-lis on the green chair, for example, instantly evokes French royalty, carrying centuries of cultural weight. Note the carved animal heads topping the armrests - suggesting strength and watchfulness. They aren't mere embellishments; they whisper narratives of lineage and authority. Do you see any other symbolic elements? Editor: I do see the emphasis on symmetry, the way each chair has such a balanced structure, as a sign of order and maybe tradition? Curator: Precisely. This inherent symmetry provides stability. These chairs are not simply for sitting, they perform a social function - establishing a symbolic hierarchy. In that context, what might the colour differences between the two suggest? Editor: Perhaps the green denotes nature and life and connection to something more real? The red could convey warmth and comfort but at the expense of that nature and truth? Curator: An interesting perspective, particularly thinking about the associations of warmth. In that sense it could point more to wealth. Looking at this piece we've linked symbols to cultural memory to help appreciate its richness, even beyond its practical function as furniture design. Editor: It’s fascinating how everyday objects can hold so many layers of meaning just waiting to be unpacked! It really makes you think about the symbolism we surround ourselves with today.