Theefabriek Kertamanah gebouwd door Machinefabriek Braat Soerabaia 1934 by Anonymous

Theefabriek Kertamanah gebouwd door Machinefabriek Braat Soerabaia 1934 1934

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photography

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photography

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geometric

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cityscape

Dimensions height 171 mm, width 123 mm, height 250 mm, width 320 mm

Curator: I find this photograph incredibly evocative. This is a view of “Theefabriek Kertamanah,” or the Kertamanah Tea Factory, built by Machinefabriek Braat Soerabaia in 1934. Editor: There's a quiet grandeur about it, isn't there? The sharp lines of the building contrast with the soft focus of the sky, almost like a dreamscape. It has this monumental quality in black and white. Curator: The monochrome certainly gives it a timeless feel, though it’s also revealing about Dutch colonial architecture in Indonesia at the time. These industrial spaces became stages for so much exploitation but also cultural exchange, forced as it may have been. Editor: Exactly. And the looming smokestack – a classic industrial symbol – practically dominates the composition. Factories can act as powerful, almost intimidating visual markers, representing progress, modernity, but also echoing these colonial power dynamics and industrial control. The rising smoke is the visible signature of it. Curator: It’s interesting that the photographer chose this specific angle – a close view that brings out the building's facade with this almost portrait-like approach, making the industrial space feel like it has its own identity and legacy. Editor: It’s not just documenting the existence of the building but seemingly also attempting to ascribe a particular weight or quality to the site. It’s a way to assert control by immortalizing the location in visual media. The very act of capturing the factory through photography reinforced its dominance and status, imprinting this symbolism for future interpretation. Curator: I'm struck by how it invites us to contemplate the complex intertwining of commerce, culture, and coercion embodied in this space. Editor: Precisely. And that, for me, elevates the photo beyond a mere visual document and into a significant piece of social commentary on a complex historical moment.

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