Copyright: Public domain
Andrei Ryabushkin made this portrait of I. F. Tyumenev with oil on canvas. Here, the artist uses materials and techniques of the Old Masters, to portray a distinctly modern subject. Note how Ryabushkin has applied the paint. The brushwork isn't about surface finish or polish, but about capturing a likeness. You can see he is trying to capture the sitter's essence; his intelligence. And, of course, the painting’s value resides precisely in this act of labor. The artist has made a direct transaction, exchanging time and skill for money. Consider the sitter too. He’s surrounded by objects indicative of the knowledge economy: manuscripts, books, and writing implements. Ryabushkin elevates Tyumenev through the very act of representing him. And this is what painting still offered in the late nineteenth century: not just a likeness, but a kind of immortality. This work beautifully represents that moment in history. It reminds us that paintings, when considered in relation to labor, social class, and consumption, reveal unique stories.
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