Friedrich Wilhelm in zijn rolstoel naast de kroonjuwelen by Daniel Nikolaus Chodowiecki

Friedrich Wilhelm in zijn rolstoel naast de kroonjuwelen 1784

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drawing, print, etching, paper, engraving

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portrait

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drawing

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neoclacissism

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aged paper

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print

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etching

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old engraving style

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paper

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genre-painting

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history-painting

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engraving

Dimensions height 165 mm, width 104 mm

Curator: Before us is Daniel Nikolaus Chodowiecki's "Friedrich Wilhelm in zijn rolstoel naast de kroonjuwelen", dating to 1784. It’s an etching, quite detailed, really, done on paper. Editor: There’s an almost oppressive stillness. The room is quite ornate, but it feels more like a stage set than a lived-in space. The stark lines emphasize a profound sense of formality and even confinement. Curator: Note how the artist arranges the figures within the rectilinear architecture. The strong verticals of the doorway and wall panels act as a visual grid. Editor: I’m struck by the contrast between the figures themselves. Frederick, weighed down by fur and elaborate robes, seems almost dwarfed by the treasures he possesses, while his wife looks regal in lace finery. Curator: Yes, the juxtaposition of his obvious physical impairment and the splendor surrounding them both is deliberate. The crown jewels themselves are carefully rendered to highlight their intrinsic value, their sharp gleam a subtle indicator. Chodowiecki emphasizes line and geometric shapes for emphasis and to guide the viewer's eye. Editor: Considering its historical context, one can imagine this tableau as a symbol of power, albeit a power constrained and perhaps nearing its end. The jewels act not only as displays of riches, but the emotional security for those in positions of power during this period of European instability. Curator: Perhaps you're on the right path to the essence here; consider the arrangement of the jewels, like pieces in a tableau of dynastic legitimacy and a stark awareness of their responsibility to the refugees. There's almost a diagrammatic quality, stripping away the baroque flourishes of prior eras. Editor: I find that idea of refuge especially potent. With the French revolution approaching, a depiction such as this would allow for emotional ties from patron and audience in turbulent and unpredictable times. Curator: This etching shows how a seemingly simple portrait becomes something so intricately detailed by the arrangement of the characters as well as items. Editor: Absolutely. This piece definitely encourages us to look deeper and find significance behind every calculated decision the artist took.

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