Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante' 1678

This etching, a set design from 'La Monarchia Latina Trionfante', was created by Mathäus Küsel in the 17th century. It provides insight into the intricate relationship between power, performance, and public perception during the Baroque era. The print depicts a grand procession, likely a monarch entering a city, celebrated by a throng of onlookers. What strikes me is how Küsel uses architecture and figures to stage a drama of social hierarchy. Note how the elaborate structures are adorned with classical figures. This use of iconography serves to legitimize and idealize the ruler's authority, suggesting a divine connection to historical empires. But look closer - who is included and excluded from this spectacle? The gathering crowd reflects a diverse population, yet the focus remains on the enthroned figure, reinforcing existing social divisions. The emotional impact of such displays on those present is palpable. It’s a potent reminder of how carefully constructed images of power can shape beliefs and perceptions of those both inside and outside the frame.