Portret van Tahmasp I by Anonymous

Portret van Tahmasp I 1549 - 1575

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print, engraving

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portrait

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print

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figuration

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11_renaissance

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islamic-art

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history-painting

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engraving

Dimensions height 108 mm, width 84 mm

Curator: Looking at this, the phrase that jumps to mind is “a study in controlled intensity”. You know, a sort of contained power, would you agree? Editor: Absolutely! It’s hard not to feel the gravity emanating from this engraving, entitled "Portret van Tahmasp I." Produced sometime between 1549 and 1575, it offers a glimpse into the world of the Safavid dynasty, specifically the Shah himself. The piece exemplifies figuration using a very particular, sharp Renaissance print style. Curator: The eyes, though, they tell the whole story, don’t they? Direct, unwavering… that gaze just drills right through you. The engraver—anonymous, as so many often are, sadly!— really captured that leadership quality. The shield is so much of his humanity and yet is is not as grabbing as his intense eyes. Editor: And it makes you wonder about the artistic choices and what sort of influence was he under, because placing Shah Tahmasp I, a very important ruler in the Islamic world, in this very recognizable Renaissance visual language…that speaks volumes about cultural exchange, artistic adaptation… the power of rulers to create images that support a narrative, isn’t it? Curator: The sword he’s holding too! It feels almost symbolic. Like he’s about to strike, and yet, there’s this underlying sense of patience about it all. It makes me think of stillness before a storm. Perhaps it symbolizes the power and grace he needs to hold the empire and to act as the most pious believer. What do you make of that tension? Editor: I'd suggest this object points to art functioning beyond its purely aesthetic value—this artwork stands as a signifier, designed to perpetuate authority and power, but made and sold in a network influenced by new forms, traditions, and needs. Curator: You are right to emphasize that context, the moment of it all—so many stories caught in this one single image, that's powerful isn’t it? Editor: Indeed! History compressed into something potent, visually captivating, and readily available for discussion.

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