Huis met gesloten hek 1864 - 1936

Jan van Essen sketched this ‘House with Closed Gate’ with graphite, a medium that allows for a range of tonal effects. The most powerful symbol here is of course the closed gate itself, a motif with a profound presence in art history. In antiquity, gates were adorned with apotropaic symbols to ward off evil. Later, during the Renaissance, the closed gate began to symbolize inaccessibility. In Van Essen's sketch, this barrier elicits both curiosity and a sense of exclusion. This resonates with the psychological weight of boundaries. Think of the garden as a symbolic representation of paradise, an enclosed space of purity and harmony. The gate, here firmly shut, can evoke a deep sense of longing and perhaps even frustration. The motif reappears in different epochs, each time subtly shifting in significance, reflecting collective anxieties and desires. It persists as a potent symbol because it taps into our most fundamental psychological experiences, those of exclusion and longing.