Portret van Filips I, hertog van Orléans 1670 - 1675

This portrait of Philippe I, Duke of Orléans, was made by Pieter van Schuppen. It’s an engraving, meaning the image was incised into a metal plate, which was then inked and printed. Engraving was a highly skilled craft, demanding years of training to master the control of line and tone seen here. Look closely, and you’ll see how the density of marks creates a sense of volume, especially in the Duke’s elaborate wig and shining armor. The technique also speaks to the social context. Engravings like this one were relatively reproducible, making them ideal for spreading images of power and prestige. While painting was the domain of the elite, engraving allowed for a wider, though still privileged, audience to consume and circulate these symbols of authority. Ultimately, understanding the material and the making helps us see beyond the surface of the image, revealing the complex interplay of art, craft, and social power in 17th-century Europe.