Spring Shoots II (Wakana: ge), Illustration to Chapter 35 of the Tale of Genji (Genji monogatari) c. 1509 - 1510

Curator: Here we have "Spring Shoots II," an illustration to Chapter 35 of the Tale of Genji, by Tosa Mitsunobu, housed here at the Harvard Art Museums. Editor: It's so serene—almost dreamlike with the gold leaf. The architectural composition is striking, like a bird's-eye view into a private world. Curator: Indeed. This work visualizes a pivotal moment in the novel, where Genji observes young girls, including his future wife, Tamakazura. Its creation reflects the cultural significance of the Genji Monogatari and its influence on artistic production. Editor: The layering of screens and figures creates a sense of voyeurism, hinting at the complex power dynamics within the Heian court and the constraints placed upon women. It's visually stunning, but also prompts critical questions about gender and agency. Curator: Absolutely, and it underscores the complex interplay of art, literature, and social commentary that defined this period. Editor: A compelling piece that reminds us how art can be both aesthetically pleasing and deeply engaged with the social realities of its time.