Fotoreproductie van een schilderij, voorstellende de Kruisiging van Christus c. 1875 - 1880

This is a photographic reproduction of a painting depicting the crucifixion of Christ, and was made by an anonymous artist. The image portrays a pivotal scene in Christian theology, laden with cultural and historical significance. Religious institutions have long used images like this to convey theological messages. The format, being a reproduction within a book, speaks to the means by which religious narratives were disseminated, particularly as printed materials became more accessible. Originating in a European context, the artwork inevitably reflects the socio-political landscape of its time. Whether it was produced during a period of religious reform, conflict, or consolidation, the image would have been influenced by these events. Was it made to reinforce established religious norms, or perhaps to critique them? Understanding the social conditions that shaped the production of this image requires further investigation into the historical context. By consulting archives, theological texts, and social histories, we can better appreciate the role of this image. The meaning of art is contingent on its social and institutional context.