Annunciation 1729 - 1742

Editor: Here we have A. Claude Philippe de Thubières comte de Caylus's "Annunciation," a print held at the Harvard Art Museums. It's striking how the artist rendered such a divine moment in this earthy, sepia tone. What can you tell me about this piece? Curator: This print allows us to consider the role of religious imagery in shaping cultural values and societal norms during its time. How might the choice of a reddish-brown ink influence the reception of the Annunciation scene? Editor: Perhaps it makes it feel more grounded, less ethereal? Curator: Precisely. And consider who this imagery was intended for. Was it for personal devotion, or public display, and how does that affect its meaning? Editor: I hadn't thought about the audience so explicitly. Thanks! Curator: Of course. Thinking about the context enriches our understanding.