Salomo zittend op zijn troon ontvangt een boodschapper van koning Hiram by Anonymous

Salomo zittend op zijn troon ontvangt een boodschapper van koning Hiram 1530 - 1533

0:00
0:00

print, engraving

# 

print

# 

old engraving style

# 

figuration

# 

history-painting

# 

northern-renaissance

# 

engraving

Dimensions: height 50 mm, width 70 mm

Copyright: Rijks Museum: Open Domain

Curator: Welcome. Before us is a 16th-century print entitled "Salomo zittend op zijn troon ontvangt een boodschapper van koning Hiram," dating roughly between 1530 and 1533. Its creator is currently listed as Anonymous. What strikes you first about it? Editor: The stark linearity. Everything is delineated with these crisp, decisive lines. It conveys a mood of pious seriousness, a kind of austere nobility. It feels...hieratic. Curator: Indeed. Note the use of line in creating texture and volume. The artist uses hatching and cross-hatching techniques typical of engraving to suggest the fall of light on the figures' robes and the throne itself. Look how the lines on the floor converge to create a sense of perspective, guiding our eye towards the regal figure of Solomon. Editor: Yet, the scene is more than a formal exercise. We witness a critical interaction. The print illustrates the power dynamics inherent in knowledge exchange and governance. Consider the subservient posture of the messenger versus the regal immobility of Solomon. Who holds the power to interpret, to decide, to build? Curator: A vital observation! Solomon, seated, embodies wisdom and authority. The messenger’s gift can be read formally as introducing another level of visual depth, adding to the picture plane, and also, thematically, expanding the network of relationships critical to Solomon's rule and prosperity. Hiram offering Cedar wood, lumber that becomes sacred, transformed for Solomon’s “domus”, building both literal and metaphorical architectures of influence. Editor: I agree, and let's acknowledge the limited scope, and the limits of our gaze. Considering contemporary ideas of diplomacy and power, how can an artifact like this engraving inform our view of modern politics of globalization? Are such relationships ever truly reciprocal, or is the shadow of colonialism and economic exploitation an eternal fixture in how powerful people sit in relationship to the labor and knowledge of those positioned in supplication? Curator: A fitting challenge. This engraving shows skillful visual choices creating an impression that endures centuries. Editor: An important glimpse, even while we look both at and beyond this moment.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.