Plaque 1887 - 1900

This plaque was made by James Callowhill, likely in England, using earthenware and enamel. The slightly rough surface gives a warmth that perfectly suits the naturalistic scene. Callowhill embraced the Aesthetic movement's love of beauty and its interest in non-Western traditions. The bird, tree, and foliage are enameled in considerable detail, with some areas built up in relief, and other details like the blossoms achieved by delicate, repetitive touches. But, overall, the scene is stylized, as was typical of the period. Consider the process involved in creating this plaque. Each color would have been applied separately and fired at a specific temperature, a labor-intensive process calling for great skill, repeated firings, and a precise understanding of materials. This level of craft challenges conventional notions of art. It underscores the importance of expertise and time in understanding the full value and meaning of a work like this.