[title not known] by Thomas Gainsborough

[title not known] 1819

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Dimensions image: 191 x 265 mm

Editor: This landscape, an etching by Thomas Gainsborough, shows a winding path by a stream. It feels so peaceful, almost idealized. What social narratives might be embedded within such a seemingly bucolic scene? Curator: That pastoral serenity is precisely the point. Consider the context: Gainsborough was painting for an elite audience, landowners, and the aristocracy. These landscapes functioned as assertions of ownership and control, subtly erasing the labor and social inequalities that underpinned their wealth. Editor: So, the beauty is a kind of… camouflage? Curator: In a way, yes. The idyllic imagery obscures the realities of land enclosure, rural poverty, and the exploitation of agricultural workers. It’s a visual language of power. Editor: That's a really important perspective. I never would have considered that this picturesque scene could carry such complex social weight. Curator: Exactly. Art is rarely just about aesthetics; it's about the power dynamics it reflects and reinforces.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/gainsborough-title-not-known-t11021

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tate 1 day ago

This print is of a landscape by Thomas Gainsborough held in the private collections of Dr Thomas Monro and George Hibbert. They were reproduced with care. Etching was chosen as the technique, as it best imitates Gainsborough’s expressive handling of paint. Watercolour was later added by hand. They were published in A Collection of Prints Illustrative of English Scenery by John Laporte and William Frederick Wells. Some 30 years after Gainsborough’s death, his paintings had become synonymous with an idyllic vision of the British countryside. Gallery label, October 2019