Bust of a man by Joseph Chinard

Bust of a man 1785 - 1800

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sculpture, plaster, marble

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portrait

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neoclacissism

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sculpture

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sculpture

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plaster

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men

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decorative-art

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marble

Dimensions: Overall (confirmed): 17 1/4 × 11 1/2 × 9 1/2 in. (43.8 × 29.2 × 24.1 cm)

Copyright: Public Domain

Editor: This intriguing "Bust of a Man" is by Joseph Chinard, created sometime between 1785 and 1800. I find its Neoclassical style and the somewhat rough texture of what appears to be plaster quite striking. How would you approach interpreting a piece like this? Curator: We should focus on its creation. This era witnessed a shift in artistic patronage from aristocracy to a rising merchant class. Was this sculpted for the elite or for a bourgeois client eager to display newfound status? Look at the material - likely plaster or perhaps unfinished marble. What does the artist's choice say about intended market or urgency of production given historical circumstances and labor practices. Editor: Interesting. So, considering the material, could that suggest the artist perhaps prioritized speed or affordability in its creation? Curator: Exactly. Marble requires intensive quarrying and skilled labor; plaster is far more accessible. Were molds used? What was Chinard’s workshop like, who were his assistants, and what was their role in creating these pieces? Understanding the mode of production, we can situate this within the broader context of evolving economies and class dynamics of that period. Is it really Neoclassical if it does not cater to an established aesthetic of perfect marble finishing? Editor: So, rather than just seeing a portrait, we can consider the work, or lack thereof, to excavate the socio-economic landscape of its time? Curator: Precisely! And don’t neglect the sitter's possible background! Does their apparel point at anything relevant, or perhaps lack thereof to make art accessible across social strata, thereby promoting change? The production and materiality offer clues into the social conditions surrounding its making and consumption. Editor: I hadn't considered the impact of the material in that light before; that is fascinating. Thanks for sharing your insights, I have a new appreciation for this bust. Curator: My pleasure. Viewing art through a material lens can truly reshape our understanding.

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